A straightforward entry into actual movie images

Regardless of predictions of digital expertise spelling doom for analog cameras, film photography has by no means absolutely fizzled out. However because the youthful era buys old school digital point-and-shoots to remain within the second and off their smartphone (even with their high-quality cameras), movie may very effectively be the subsequent step in an rising longing for authenticity and retro expertise. The Pentax 17 is the model’s first new film camera in over 20 years , a conglomeration of classic and trendy designed to pique the curiosity of recent movie photographers.



Whereas the Pentax 17 makes use of handbook movie development and zone focusing, the compact movie digital camera blends vintage-inspired options with these designed to ease trendy photographers into the previous artwork kind. The 17 makes use of 35mm movie however is a half-frame digital camera, which implies every roll of movie takes twice as many images as marketed. Such a design additionally means the Pentax 17 shoots vertically by default — relatively than the extra normal horizontal — and in a 17mm by 24mm dimension that is nearer to the area on a smartphone display screen. The digital camera lacks full handbook controls however gives important controls like an aperture precedence mode, publicity compensation, and the flexibility to show the built-in flash on and off.

I’ve had an previous Pentax K1000 on my shelf for years now, an previous storage sale discover that I’ve by no means actually discovered the time to dabble with. The Pentax 17 has proved to be simply the digital camera I wanted to ease into the waters of movie images earlier than diving headfirst into absolutely handbook movie cameras.


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Pentax 17

The Pentax 17 is a better entry into movie images. The digital camera’s mixture of automated modes and half-frame format will attraction to photographers who’ve by no means tried movie. Critical movie photographers could discover the Pentax 17 missing, nevertheless, because it would not provide handbook modes, double publicity, or interchangeable lenses. However, for relieving into movie, the Pentax 17 has so much to supply.

Execs

  • Simple to be taught
  • Compact, retro design
  • Stunning actual movie pictures
Cons

  • Errors rewinding movie
  • No handbook publicity
  • Battery is not rechargeable

Worth, specs and availability

The Pentax 17 was introduced in June 2024 and retails for about $500. The Pentax 17 is a compact movie digital camera with a hard and fast 25mm lens. Whereas it accepts 35mm movie, it is a half-frame format, which signifies that a roll of 36-exposure movie really takes 72 pictures as a result of every publicity can take two images. Its most notable specs embrace a zone-focusing system, which is an easier type of handbook focusing, and a non-rechargeable CR2 battery.

What I like in regards to the Pentax 17

The digital camera is a straightforward introduction to movie images

A photograph of the Pentax 17 film camera with other film cameras in the background


If a digital and a movie digital camera performed Rooster and collided, I think about the end result would look one thing just like the Pentax 17. The digital camera is a mishmash of classic and trendy, however that is not essentially a foul factor. Like a movie digital camera, the highest homes a handbook rewind crank, a movie advance knob and a clicky shutter launch. However, the mode dial has an auto mode in addition to an assortment of different choices, together with a “bokeh” mode for wider apertures and bulb for lengthy exposures.

The Pentax 17 can also be an amazing mix between snug and moveable. The battery compartment doubles as a bump grip to wrap your fingers round it pretty comfortably. However, at 10.2 ounces, it is not laborious to tuck right into a bag and pull out when a photographic alternative presents itself.

A photograph of the Pentax 17 film camera front view


The convergence of contemporary and traditional helps make the Pentax 17 a beginner-friendly movie digital camera. Two indicator lights proper on the viewfinder assist warn you in the event you forgot to advance the movie or the picture is simply too darkish since you forgot to take away the lens cap (responsible as charged). Granted, that is the primary time that I’ve felt the necessity to carry round an instruction handbook in my digital camera bag for that second after I wanted to recollect the right way to rewind and reload the movie, however the capturing settings themselves felt pure and intuitive.

A part of the 17’s trendy really feel is the truth that it shoots half-frame pictures, or two pictures on each single normal publicity of 35mm movie. Even the viewfinder is vertical, relatively than horizontal, and also you flip the digital camera to shoot a horizontal picture as a substitute of the opposite means round.


The result’s a vertical picture that is barely wider than a 2:3 side ratio that feels destined to fill a smartphone display screen. Is a movie digital camera in a format designed for smartphone screens sacrilege? Maybe, however that is the world that we dwell in. This additionally means that you can get twice as many pictures per roll of movie, which is extra bang in your buck on movie prices however can up the price of creating that movie.

The imperfections did not at all times really feel like a foul factor.


Whereas the built-in lens performs a task, on a movie digital camera, a lot of the picture high quality as a substitute stems from no matter movie that you just load inside. I examined the Pentax 17 with Kodak UltraMax colour and Ilford black and white, each ISO 400 movies. The ensuing pictures have that lovely, genuine movie really feel that digital filters attempt (and infrequently fail) to mimic. The colour movie delivered the deep but much less saturated greens and reds that remind me of my childhood images. The black and white movie delivered deep distinction in a wealthy monochrome picture. Each had pretty movie grain that merely would not examine with the noise of digital sensors.

The movie pictures really feel much less good, but extra emotive than if I had taken the identical photographs with a digital digital camera. Are some out of focus from the kind of guesswork that comes with judging how distant the topic is? Sure, however the imperfections did not at all times really feel like a foul factor.


What I did not like in regards to the Pentax 17

Rewind directions weren’t clear and a few superior options are lacking

A photograph of the Pentax 17 film camera with the back open

Whereas the Pentax 17 felt like an easier transition from digital to movie, the expertise did not go with out its challenges. The movie didn’t absolutely rewind in each rolls that I shot. This might have been person error as a result of unhealthy directions — as “flip till you’re feeling resistance, then flip three extra occasions” feels open to interpretation. Simply how a lot resistance? What occurs if I flip greater than thrice?

On each rolls, after I popped the again open, the movie hadn’t utterly rewound. I needed to shoot the door once more and rewind far more than the thrice that the instruction handbook says earlier than the movie absolutely wound, however by then the injury to the roll was already carried out. Both clearer directions or some kind of indicator of whether or not the movie was absolutely rewound would have made a world of distinction — or, maybe, altering the roll out in a darkish room, simply in case.


Whereas the untimely opening of the digital camera again — not understanding the movie hadn’t absolutely rewound — ruined just a few frames, it created mild leaks in others. Sure, among the mild leak pictures had been full trash, but it surely’s price noting that some had been joyful accidents, the place the little bit of glow on the sting of the body added to the texture of the picture, relatively than detracting from it.

One other side that I did not love was the main focus dial across the lens. The design makes use of small icons to point the final topic distance, like mountains for much away and silverware for a tabletop shot. It is a focusing kind that photographers name zone focusing. Whereas the main focus setting seems within the viewfinder as a reminder, I forgot a number of occasions, and even after I did not, lots of it’s guesswork as to how shut the topic is.


I missed the tactile really feel of turning the handbook focus lens and watching the picture come into focus within the viewfinder, one thing the previous 35mm cameras on my shelf provide. With the Pentax 17, you may’t inform utilizing the viewfinder whether or not or not the picture is in focus.

I believe a chargeable battery would go one step additional into making the 17 the most effective of each previous and new, however, alas, the battery is the throwaway kind.

As straightforward because the Pentax 17 was to leap into, I additionally really feel like severe photographers could develop out of the $500 digital camera somewhat rapidly. The Pentax 17 looks like a gateway drug to tougher, severe images. The 17 lacks full handbook publicity management, the lens is fastened and never interchangeable, and the digital camera additionally would not let me try a double publicity. I cherished the photographs coming from the Pentax 17, however the introductory expertise to 35mm movie additionally left me eager to dive into previous SLRs too.


Must you purchase the Pentax 17?

It could possibly be the gateway to movie images, however with a brief runway

A photograph of the Pentax 17 film camera top view

The Pentax 17 eases budding photographers into the world of movie images. With all new elements and an entire instruction handbook, the 17 is a better leap than a used movie digital camera. After capturing with the 17, I used to be really ready to determine why the movie wasn’t loading on the previous Pentax K1000 SLR I picked up at a storage sale years in the past. My expertise with the 17 helped construct some much-needed movie troubleshooting abilities.

Whereas the dials and controls on the Pentax 17 combine the fashionable and classic for less complicated operation, the ensuing pictures have that lovely, emotive really feel of movie. The photographs aren’t good, however, actually, that is kind of the purpose. Getting again a grainy, contrast-filled however imperfect picture looks like a extra trustworthy illustration of the second.


It is pretty straightforward to discover a classic 35mm SLR with interchangeable lenses for much less.

For those who’ve at all times needed to attempt movie images, however newbie’s nerves have at all times gotten in the way in which, purchase the Pentax 17. The digital camera is a better entry into 35mm movie — nevertheless, as you are factoring in the price of the digital camera, the price of movie, and the price of movie growth, you might simply get hooked on movie and need to develop right into a digital camera with interchangeable lenses and full handbook controls.

If you wish to dive proper into movie with full handbook controls, then the Pentax 17 is not the appropriate selection. You can too discover extra focal size choices and higher background blur by selecting a digital camera that is not half-frame and may swap lenses. One other mark within the “do not buy column” is the fee. $500 is nice in comparison with in the present day’s digital cameras, but it surely’s pretty straightforward to discover a classic 35mm SLR with interchangeable lenses for lower than that.


The Pentax 17 camera against a white background.

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Pentax 17

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