Each week, manga readers crane their necks at anime watchers to stay vicariously by their first foray into experiencing Dan Da Dan. To this point, each episode has performed an outstanding job adapting the sheer scope, scares, and magnetism of Dan Da Dan‘s motion and romance. Nevertheless, the anime’s newest and most anticipated episode nails one of many core tenets of why the sequence has such a powerful fanbase: its phenomenal backstory writing.
At any time when a flashback sequence greets a shonen anime fan, they reflexively roll their eyes in annoyance. This knee-jerk response is principally on account of how the expository narrative machine can grind a present’s motion to a halt. Whereas up to date shonen sequence like Demon Slayer additionally make the most of flashbacks to endear their villains to audiences, repetitious flashbacks are typically used solely to attract parallels to their heroes. A trendy motion sequence follows the place mentioned heroes unalive the dangerous man, after which by no means take into consideration the life they took as they propel towards the following monster of the week.
Whereas the above isn’t essentially the most charitable learn of shonen exhibits like Demon Slayer, it’s turn into the anticipated norm for anime followers strolling right into a flashback to count on: it’ll supply a tragic backstory whereby its hero will shed tears as they tie a villain’s strife to their very own and hopefully carry their life classes into their subsequent battle. Simply as how anime protagonists not often look again on previous villains as one thing stirring their ethos, flashbacks in shonen anime ring emotionally hole because the present vans on. That’s, until you’re Dan Da Dan.
Dan Da Dan‘s seventh episode, “To a Kinder World,” noticed Okarun, Momo Ayase, and Turbo Granny battle Acrobatic Silky, a yokai stalking their classmate Aira Shiratori. Whereas the gang outmaneuvered and defeated Acrobatic Silky within the first a part of the episode, the latter half humanized the gangly, towering yokai.
In a primarily unvoiced flashback, we discovered that Acro Silky was really Aira’s deceased mom. As a single mom, Acro Silky had lived a merciless, tragic life, taking over odd jobs as a janitor, retailer clerk, and intercourse employee to maintain meals on the desk. Whereas it was depressing, utilizing her hard-earned money to bathe her daughter with presents made all of it price it. That’s, till tragedy struck, setting Acro Silky working by the wet streets of Japan searching for her kidnapped daughter. When all hope appeared misplaced, Acro Silky ballet danced on the rooftop of a skyscraper earlier than plummeting to her dying.
Nevertheless, not even dying might undo a mom’s unconditional love. Now residing as a ghost, Aira’s mom pledges to observe over and shield her—even when that meant twisting her face right into a everlasting grin and reworking her physique right into a towering Sadako-looking yokai that not even her daughter would acknowledge as her mom. This volley of emotional intestine punches is additional punctuated by Acro Silky sacrificing herself and transferring her non secular essence to revive her daughter. She does this selfless act realizing that after she does, she’ll be forgotten ceaselessly as she exists in an infinite void. What follows is an emotional hug between Aira and her mom, the place Aira guarantees by no means to neglect her. Reader, as a manga reader, I knew this scene was coming and that didn’t cease me from crying.
What makes this episode of Dan Da Dan all of the extra exceptional is Science Saru opted to not regurgitate mangaka Yukinobu Tatu’s panels to depict Acro Silky’s backstory. As a substitute, the anime offered her story by an prolonged sequence principally advised with out voice appearing in a Studio Ghibli-esque stroke of caprice earlier than turning to darker imagery akin to a Satoshi Kon movie. All of this was accompanied by a dreamy musical rating akin to one thing you’d hear out of a music field with a twirling ballerina spinning at its heart. What’s extra, the anime hammered house Acro Silky’s desperation, with a first-person sequence of her doggedly working by the rain trying to find her daughter.
Dan Da Dan‘s most substantial high quality is constantly offering soul-stirring backstories for heroes and villains alike. Whereas Acro Silky served as its first momentous emotional second between a villain and the viewers, the sequence has already subtly urged that it has at all times been centered on humanizing its antagonists as greater than horrifying adversaries. That is exemplified by the reveal that Turbo Granny, the present’s preliminary antagonist, has a historical past of rescuing distressed women. This is the reason she emerged from Momo’s telephone (through a possessed Okarun) to guard her from an assault by the Serpo aliens. This occasion, which unfolded within the present’s first episode, initially led followers to query whether or not this intense scene was perverse fanservice or genuinely compelling storytelling. Fortunately, it was the latter.
What’s extra, Dan Da Dan has continued to intensify the extent of its flashback writing to a degree that just about eclipses that of its page-turning scares, extremely detailed motion sequences, and lovely romance. Now that Acro Silky’s flashback has been expertly tailored, followers can stay up for the true Dan Da Dan starting because the present adapts much more heart-wrenching backstories for its cryptids and aliens.
New episodes of Dan Da Dan air each Thursday on Netflix, Crunchyroll, and Hulu.
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